The final 2 Buffalo albums have long been unjustly underrated when compared to the 1,2,3 punch of dead forever…,Volcanic Rock and Only Want You For Your Body. Management’s decision to sack “uncontrollable” original guitarist John Baxter and pursue a more commercial direction was also borne of the frustration of the constant grind of the road, declining record sales and no support from radio or TV. It was probably a mistake; Buffalo never really recovered from the change in dynamic, and the next 2 years saw a revolving door of replacement guitarists. However, to write this period off is also a mistake. Both albums contain terrific tracks that can sit proudly amongst any of Buffalo ’s earlier classics.

The band wanted to call the album Songs For The Frustrated Houswife or Thieves,Punks, Rip-Offs & Liars but were overruled by their record company!

Norm Roue (Band Of Light) joined as a second guitarist (much to the surprise of John Baxter), but before the twin guitars of Roue and Baxter could gel, Baxter was sacked. With the line-up of Dave Tice, bass player Peter Wells, drummer Jimmy Economou and slide guitarist Norm Roue in place, the early months of 1975 found the band working in new guitarist Karl Taylor. The band’s sound changed immediately, with a more rock’n’roll edge dominating. As Tice recalls, “The change in the Buffalo sound was completely down to the change in line up. That whole organic approach where John came from, that worked for us at the time whereas Karl Taylor and Chris Turner, a bit later on, were formalised in their playing. They were both very formally educated players, much more traditional in their approach. The idea of getting into a rehearsal room with Karl or Chris and just jamming for a few hours, and saying ‘that was good, let’s take that and work with it’, all that was out the window. The later albums featured songs that one or the other brought into the studio as reasonably completed ideas or songs. Prior to that the songs were built out of whatever we had in our heads at the time. The dynamic had changed.”

 

 

Buffalo
Mother's Choice
 Thumbnail image
AVSCD020
Barcode: 9336043001201
SRP: $24.95
Release Date: Dec. 08, 2006

More Buffalo...

 Thumbnail image  Thumbnail image  Thumbnail image
 Thumbnail image

Tracklisting:

1. Long Time Gone
2. Honey Babe
3. Taste It Don't Waste It
4. Little Queenie
5. Lucky
6. Essukay
7. Sweet Little Sixteen
8. Be Alright

Bonus Tracks:

Single B-sides
9. The Grl Can't Help It
10. On My Way






 Thumbnail image

 Thumbnail image

MP3 Samples: Taste It Don't Waste It Long Time Gone On My Way
 

 

The album kicks off strongly enough with ‘Long Time Gone’ and ‘Honey Babe’, with ‘Little Queenie’ and ‘Lucky’ keeping up the pace. We’ve included the non-album single B-sides here as bonus tracks, a cover of the Bobby Troup ripper ‘Girl Can’t Help It’ and the Tice/Taylor-penned ‘On My Way’ which help round out the whole album. ‘Sweet Little Sixteen’ b/w ‘Essukay’ (Vertigo 6037 902) slipped out as a single during April but went by completely unnoticed. Overall, the stripped-down rock’n’roll sound on display is certainly accessible and energetic, with the band coming on like some of those London pub-rock bands, such as Dr Feelgood and Ducks Deluxe, simultaneously hitting their straps over in the UK. Buffalo music circa 1975/76 had that same retro feel while sounding entirely contemporary.

Because Roue had already left the band, he was nowhere to be seen in the band photo on the inner gatefold sleeve. Likewise, he was only credited on the album with “Special thanks to NORM ROUE: Slide guitar on all tracks except ‘Taste It Don’t Waste It’ and ‘Sweet Little Sixteen’”. Just as the album came out, the band suffered further guitar-player mishaps with Taylor leaving, intent on getting his solo career underway.

In the meantime, Buffalo had recruited Chris Turner (ex-Younger Brothers, Drain) as their newest lead guitarist. Turner had a wealth of experience under his belt, having started his career back in England during the mid-60s, as a contemporary of the likes of David Bowie and Steve Marriott. He was a very accomplished player and helped guide the band through its final year together. With his arrival, Buffalo began playing the likes of the Rolling Stones’ ‘Star Star’ and ‘Sweet Virginia’, alongside the usual Chuck Berry numbers, in their live shows. He and Stead never really gelled as a guitar team, with Stead leaving soon after (although he did contribute the likes of the ultra-commercial ‘Rollin’’ to the final Buffalo album Average Rock’n’Roller).

 

 

 Thumbnail image
 Thumbnail image